Studio

Drawing begins before the first line appears.

Ideas grow from observation — street scenes, conversations, fleeting moments, contradictions noticed in passing. Sketchbooks are always close. Sometimes a work starts as a quick note, a coffee stain, or an uncertain line searching for form.

In the studio, the process remains physical and direct: paper, pressure, movement. Drawing with a fist turns each gesture into a balance between control and chance.

What matters is presence — the moment an idea becomes visible.